Arnaud Gibersztajn

Arnaud Gibersztajn is a Paris-born, New York–based painter whose work is devoted to abstraction, exploring color, composition, and the fragile equilibrium between discipline and openness. Largely self-taught, he began painting in childhood but committed fully to the practice after relocating to New York at the age of twenty-five. Under the mentorship of Jan Wunderman, he refined his study of line, color, and form, leading to his first group exhibition at P.S. 122 in 1997. By 1998, he had arrived at the distinctive approach that defines his mature work: luminous fields of oil built with a palette knife, layered into subtle variations of tone and depth.

For Gibersztajn, painting is a language—an alphabet of marks, textures, and nuances through which communication becomes possible. He likens the act of composing a canvas to the act of composing a life, shaped by choices, crossroads, and encounters. His influences span Rembrandt, Turner, Van Gogh, and Monet, as well as the modern masters Soulages, de Kooning, Pollock, Rothko, Giacometti, Frankenthaler, and Kline. At the heart of his practice lies the constant negotiation between painter and canvas, where a misplaced gesture can unravel the work and a moment of communion can transform it into something charged and alive.

Gibersztajn has presented several solo exhibitions in New York, Paris, and throughout Japan, and his work has appeared in numerous group shows. His paintings are held in prominent private collections in the United States, Canada, France, Germany, Japan, Hong Kong, the United Kingdom, Fiji, Turkey, Lebanon, Brazil, and Mexico.

Photo Courtesy Nick Mango